So, a couple of weeks ago I finally got round to watching the film Juno! I thoroughly enjoyed it!

Reviewing it is complex though as it will really depend on what angle you are looking at it from, e.g screenplay, handling of issues involved, accuracy etc etc. I also think it's quite annoying when a reviewer reveiws a film from a standpoint which the director never intended to take. (A bit like attacking a coffee cake recipe on the grounds it couldn't be eaten with Spinach or wasn't on-message with healthy eating)
So, I enjoyed Juno as a piece of entertainment. I liked Ellen Page (Juno) and Michael Cera (Bleeker) enormously and thought this film was a great offering in the 'teen movie' genre. It was actually an interesting story and explored a range of relational dynamics. Like most movies though, the values running through it and its coherence with reality need some reflection.
Anyway, the best thing about the movie has been that it has led to some important/fun/useful/interesting conversations with young people about sexuality and relationships. Conversations that may well not have happened without the fact we arrived at them via discussing films and in partcular Juno.







I went to see
The film is very definitely housed in Rom-Com city close to the border with Chick-Flick, having said that though I should point out that I enjoyed the film and experienced some wonderful 'laugh like a drain' moments. The premise is that Alex Fletcher (Hugh) is a has-been musician. His band 'Pop' (an affectionate mockery of Wham) were massive in the 80's and his former band mate now enjoys a great Solo career while Alex survives by playing the nostalgia circuit, the gigs however are drying up.
It may be a little syrupy in places but it's great fun. The thing that makes it so fabulous is the accurate re-creation of the cheesy 80's pop with original tunes and words that could so easily have been hits in that decade. It also nicely contrasts the cheeky cheesy suggestiveness of the 80's with the scantily clad crotch gyrating led pop of Britney et al. (it's also a fun critique of pop flirting with spirituality)
imaginative detail and especially the jaw dropping quality of the animation are all extrodinary. I am even prepared to over-look the fact that plot wise it was a re-hash of














